Tuesday, February 28, 2012
Red Pear, Black Pot
The shiny black pot created such lovely reflections. It was easy to lavish too much attention on them - I had to go back and lower the value so that they stayed in the background. I like the color combination - red, black, gray - very striking.
Sunday, February 26, 2012
Salt Shaker Reflected in Blue Cup
I spent a lot of time on the reflections in the cup. I really enjoy the yellowish spot on the cup which reflects something out of view. It keeps the painting from being monochromatic.
Friday, February 24, 2012
Kiwis and Glass Jar on Green
Wednesday, February 22, 2012
Apple Slices Backlit SOLD
This was a tasty greenish apple with touches of red, or maybe it was a reddish apple with touches of green. Although I painted quickly, the hot light turned it brown. Next time I'll douse it with lemon juice to stay white.
Sunday, February 19, 2012
Two Horses SOLD
Two Horses in a pasture with sunlight. A simple composition with color dominance, interesting shapes, and uneven intervals. In the reference photograph, there was a fence in front of the horses. The fence also blocked a viewer from entering the painting. I took out the fence so you could see the horses, and I added diagonal brush strokes to lead the viewer into the field.
Friday, February 10, 2012
Pinto Pony SOLD
The sun is high and slightly behind this pony and creates a wonderful light edge on the horse's back that tells us it's a sunny day. This horse was spotted (no pun intended) in a pasture near Prosser, WA.
Friday, February 3, 2012
Near Dockton SOLD
A sunny view of houses on the beach at Quartermaster Harbor near the Dockton Marina. The pilings are left from boatyards and drydocks that were built over a hundred years ago.
Labels:
6 x 6 oil on panel,
beach,
daily painting,
landscape,
oil on panel,
Vashon
Wednesday, February 1, 2012
Open Fence SOLD
This building is an old carriage house now used as a horse barn. It has a small paddock attached for the horses. I added an open gate to the fence so the viewer felt there was a way to "walk into" the painting. One of my favorite times of day - late afternoon with warm lights and purple shadows.
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